This example uses regular expressions (RegExp) to replace multiple appearances of a substring in a string.
const string = `The car is red. The car is black.`;
const replacedString = string.replace(/car|is/g, "·····");
console.log(replacedString);
// returns The ····· ····· red. The ····· ····· black.
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Here is an example of nested Promise.all() calls. We are using the Fetch API to load a given path or URL, then requesting the arrayBuffer() of each of the responses we get back. This is a trivial problem if we do it all asynchronously, but we want to do something with the output buffers when we have them all available, and not one by one.
Specifically, this code tries to (1) fetch an array of images; (2) get their array buffers; (3) then obtain their base64 representation. In essence, map an array of images (by providing their paths or URLs) to their corresponding base64 string.
While this technique works in both TypeScript and JavaScript, the code is only shown in TypeScript.
const images = [/* Array of image URLs (or local path if running in Electron) */]
Promise.all(images.map((url) => fetch(url))).then((responses: any) => {
return Promise.all(responses.map((res: Response) => res.arrayBuffer())).then((buffers) => {
return buffers;
});
}).then((buffers: any) => {
return Promise.all(buffers.map((buffer: ArrayBuffer) => {
return this.arrayBufferToBase64(buffer);
}));
}).then((imagesAsBase64: any) => {
// Do something with the base64 strings
window.console.log(imagesAsBase64);
});
const layerImages = [/* Array of image URLs (or local path if running in Electron) */]
Promise.all(layerImages.map((url) => fetch(url))).then((responses: any) => {
return Promise.all(responses.map((res: Response) => res.arrayBuffer())).then((buffers) => {
return buffers.map((buffer) => this.arrayBufferToBase64(buffer));
});
}).then((imagesAsBase64: any) => {
// Do something with the base64 strings
window.console.log(imagesAsBase64);
});
// source: stackoverflow.com
private arrayBufferToBase64(buffer: any) {
let binary = "";
const bytes = [].slice.call(new Uint8Array(buffer));
bytes.forEach((b: any) => binary += String.fromCharCode(b));
// Inside of a web tab
return window.btoa(binary);
}
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Technologist and artist Cristóbal Valenzuela co-founded Runway with a simple idea in mind: putting machine learning in the hands of creators as an intuitive and simple visual interface.
We are on the verge of a new creative revolution. [Machine intelligence] is producing radical changes in the way digital content is made, understood, and processed, unfastening previously unimagined ways of creating.
Enjoy this conversation on how to power your creative work with artificial intelligence, and Cristóbal's take on simplicity, life, work, and creativity.
Listen to "Cristobal Valenzuela — Machine Learning for Creators"
It's convenient to deploy a single Laravel application and then point multiple domains to it and have different configurations (and databases) for each individual domain. This means that you can reuse your code and only deploy once if all of the websites share the same resources, and then just specify a custom .env environment file to configure each domain entry point.
The first thing you need to do is to add one .env per domain. (Leave your .env file as a default, which would be used as a fallback for domains where you haven't explicitly created a custom .env file.) For the domains you want to have their custom config, add an .env file attaching the domain name to the end of its filename, like .env.nono.ma, for instance.
Then add the following code to your bootstrap/app.php right before returning the $app.
// bootstrap/app.php
// ...
/*
|-----------------------------------------------
| Load domain-specific .env file if it exists
|-----------------------------------------------
*/
if(isset($_SERVER['HTTP_HOST']) && !empty($_SERVER['HTTP_HOST'])){
$domain = $_SERVER['HTTP_HOST'];
}
if ($domain) {
$dotenv = \Dotenv\Dotenv::create(base_path(), '.env.'.$domain);
try {
$dotenv->overload();
} catch (\Dotenv\Exception\InvalidPathException $e) {
// No custom .env file found for this domain
}
}
// ...
return $app;
I've tested this code with Laravel 5.8 and it works like a charm.
Important Looking Pirates on rendering Westworld:
For all the character work on Westworld, we used Arnold. It’s perfect for preserving detail in skin shading and also handles hair/fur very efficiently. For shading, we quite often work with Anders Langlands, alShader and also use shaders written here at ILP. Besides Arnold, we also used V-Ray for the train station sequence.
Bobo Skipper (VFX Supervisor of Important Looking Pirates):
We started our shot production for Westworld in early February 2016. The size of the team varied depending on what episode we were on. At times we were about five people and other times around 15. In total, we delivered around 65 shots.
We were so excited when Jay Worth (VFX Supervisor) approached us. The show looked promising, and there were a lot of cool shots planned. Our goal is always to deliver the best possible quality, and for all the VFX we did on "Westworld" the most important thing was that shots helped drive the story. I think the first season turned out to be incredible and I’m proud of our contribution to the show.
In general, the challenge was to deliver high-quality shots for all our sequences. A few of the extra tricky ones included creating a young version of Anthony Hopkins, a big terraformer digging up dirt and rock and the sequence of the robot boy opening up the face.
Over the last months, I've been questioning why the streets of my hometown are flooded with electric scooters, at the same time that I keep asking myself if I should continue using social media and how.
In this essay, I briefly explain the way Amish communities decide whether to adopt a given piece of technology, and, hopefully, convince you that our modern communities—and ourselves as individuals—can learn from why and how the Amish do it.
—Wake up.
—Oh God, another day? Boy, this hurts.
Simplicity might well be the art of hiding the messiness involved in our creative processes. (Drafts and versions; cutting and pasting; design tools; projects, clients, and deadlines.) Even when new technologies facilitate our arts and crafts, traditional methods may still work better than anything made today.
Enjoy this conversation with a maximalist artist living a simple life doing what makes him (and others) smile.
Turns everything off and goes outside.
GauGAN web app is based on NVIDIA's CVPR 2019 paper on Semantic Image Synthesis with Spatially-Adaptive Normalization.
Simplicity is an emerging trend; a luxury not everyone can afford.
For the last 10,000 years, human biology has barely changed — yet our lives feel more complex, accelerated, and stressful than ever before.
What are we trying to slow down from?
Hi Friends— 👋🏻
I'm excited to be preparing a newsletter to share my sketches with you on a weekly basis. Each week, subscribers will receive a sketch paired with a short essay. The drive of this project is to sketch and write daily, and to have a medium to share my drawings independent from social media. 👨🏻🎨
Curious about the format? Here's a sample email.
If you feel this is your kind of thing, here's how to join.
Now it’s incredibly simple to start building a native Mac app from your current iPad app. Your apps share the same project and source code, so you can efficiently convert your iPad app’s desktop-class features, and add more just for Mac.
Apple seems to (finally) have started blurring the edges between what it means to be an iPadOS and a macOS app.
If your iPad app would make an excellent Mac app, now is the perfect time to streamline your code base and bring your app to life on Mac. The beta version of Xcode 11 is all you need. Begin by selecting the “Mac” checkbox in the project settings of your existing iPad app to create a native Mac app that you can enhance further. Your Mac and iPad apps share the same project and source code, making it easy to change your code in one place.
Yay! Visual Studio just announce a preview release of "extension [that] let you work with [Visual Studio] Code over SSH on a remote machine or VM, in Windows Subsystem for Linux (WSL), or inside a Docker container."
Go ahead and install the Remote Development extension. "An extension pack that lets you open any folder in a container, on a remote machine, or in WSL and take advantage of VS Code's full feature set."
Here are some highlights that might affect your Mailchimp account if you are close to moving to over 2,000 contacts in your Free Plan.
7B. Audience and Archiving
You may have several types of contacts in your Mailchimp account, but only contacts that you can engage through the Service count as contacts in your “audience” for purposes of your Monthly Plan or Free Plan. Subscribed, unsubscribed, and transactional (or e-commerce) contacts count towards your audience. Cleaned, pending, reconfirmed, deleted, and archived contacts do not count towards your audience. You may elect to archive contacts at any time, but any profile changes for an archived contact (whether initiated by you, the contact, or an integration) will automatically unarchive that contact. You cannot engage in any activity through the Service with archived contacts unless and until they are unarchived. If a contact is unarchived, it will immediately count towards your audience for your current billing cycle and any future billing cycles unless and until archived again.
8. Free Plans
If you use the Service under the free plan (“Free Plan”) and you want to go over the Free Plan limits, you’ll be required to upgrade your account to, and select and pay for, a Monthly Plan. Monthly Plans are described in Section 7A above. If you exceed your Free Plan limits, or otherwise upgrade your account to a paid Monthly Plan, you’ll only be provided one complimentary downgrade to the Free Plan (provided your sending volume and audience numbers drop down to the Free Plan limits again). If you go over the limits for the Free Plan more than once, you’ll no longer qualify for the Free Plan, even if your future sending volume and audience numbers are within the limits of the Free Plan.
It's been eight months since I left Cambridge, Massachusetts, and moved back to Málaga, Spain. Take a look at my now page to see what I'm focusing on now: writing, podcasting, sketching, machine learning, and reading.
